Saturday, May 31, 2008
Chanelle Hayes
Friday, May 30, 2008
Sienna Miller
En sus papales como actriz a destacado en muchas peliculas en las que podemos mensionar a Casanova, cuyo papel le abrio el exito a la fama.
Sienna Miller, es una mujer hermosa, de tez blanca y ojos azules. Veamos unas fotos exlusivas de la actriz:
Thursday, May 29, 2008
Will America Survive the Japanese Game Show?
When I studied in Osaka, it seemed only right that my first ketai (cell phone) mail address would be hamachan.daisuki! At that time, the comedian's popularity was at an all time high, and he was the first Japanese celebrity I actually came to know by name. He's the one who puts his arm around one of the others, resting his head on his friend's shoulder. Why? Why is he so adorable?
Since then, Japanese culture has exploded in popularity, not only in America, but around the world. First it was sushi, then Spirited Away, Samurai and Sayuri. Gwen Stefani found her muse in Harajuku, and before I knew it, Kanye West was singing Japan's praises, even subtitling his Stronger theme with katakana. And who could forget the Japanese Office skit on SNL?
Now when I mention that I've recently spent over three years living in Japan, I'm greeted by scores of "No Way! That's so freakin' cool! I've always wanted to go there! Oh my god, I so love sushi. And anime, of course." Everywhere I look I see 'new' fashion trends that were commonplace in Japan when I was in university, and almost everyday Yahoo has a Japan-related story in the headlines.
Not suprisingly, Japan continues to weave it's way into mainstream American pop, most recently with ABC's announcement of a brave new reality series: I Survived a Japanese Game Show!
Japanese games shows can be cruel.
Anyone who has had the pleasure (or misfortune) of numbing their brain with the wacky and outrageous phenomenon that is Japanese TV may have an inkling of just what these poor suckers are in for. If not, read this excerpt from the show's website:
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“I SURVIVED A JAPANESE GAME SHOW” HAS BEGUN SHOOTING FOR A HYSTERICAL PREMIERE, JUNE 24 ON ABC
“I Survived a Japanese Game Show” has begun shooting in Japan and will premiere TUESDAY, JUNE 24 (9:00-10:00 p.m., ET) on ABC. This unscripted reality/game show takes an eye-opening, behind-the-scenes look at 10 Americans – many of whom have never traveled outside the United States -- who are whisked away to Japan and compete in the ultimate Japanese game show… with hilarious results. The final winner will take home $250,000.
Guiding the American players through their stay in Japan will be host/interpreter Tony Sano (“Touch Wood,” “Beating Vegas”), an American actor fluent in Japanese; a house mother and resident pot-stirrer, Mamasan; and the witty game show host Rome Kanda (“Pink Panther,” “Saturday Night Live”), who leads the contestants through all of the zany challenges.
Some of the games/challenges will include:
WHY IS THIS FOOD SO HARD TO EAT? -- Why? Because the food is attached to the head of a teammate who must run in place on a fast-moving treadmill, while the first teammate leans over a platform and tries to eat from the moving dish.
CRAZY CRANE FINDS FLUFFY BEAR -- This takes the American arcade game to the next level, as blindfolded teammates must operate a moving crane while another teammate precariously dangles trying to collect as many stuffed animals as he/she can.
CHICKEN BUTT SCRAMBLE -- The contestants create their own version of Japanese scrambled eggs as they attempt to smash goo-filled oversized eggs with only their butts… while wearing chicken suits.
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This You Tube hit is being brought to America by FOX. Compared to the others, it's actually pretty tame.
And here's one for Abbey's Hurdlingly challenged Kyoto Sensei:
Tuesday, May 27, 2008
Shirakawa Hanami: Kotoha and Takahiro
Kotoha, a senior maiko of Gion Kobu, smiles beneath the cherry blossoms lining the Shirakawa stream.
No cultural tour of Kyoto would be complete without a proper maiko sighting, so half-way through our hanami party in Maruyama Park I led my friends down to Gion's Shirakawa district. Shirakawa-Minami-Dori is one of the very few areas of Kyoto where you can really imagine what the old capital must have been like before the twentieth century onslaught of 'modernization'. Lined on one side by magnificent cherry trees and whimsical willows on the other, the carefully paved lane follows the Shirakawa stream through the traditional teahouse district. Across the shallow waters of the Shirakawa, teahouses and restaurants hide behind bamboo blinds, peak through shoji screens, or gaze out through wide glass windows.
Kotoha laughs with Takahiro as she smooths her carefully styled coiffure.
With this timeless, quintessentially Kyoto backdrop, the city's tourism association had invited two maiko (or apprentice geiko), to make a come out and enjoy the cherry blossoms, giving the many tourists that flock to Kyoto in the spring the perfect photo op. Imagine my excitement when the maiko were two of my all-time favorites: Takahiro and Kotoha. \(^o^)/
Takahiro takes a rest beneath the cherry blossoms.
My enchantment with Kotoha set off a bit of a debate between my friends and I. I couldn'd help but comment on how stunningly beautiful I thought she was, but they were quick to disagree. To them, Kotoha seemed 'cold'. They were much more drawn to Takahiro's sweet expression and dimpled smile. Only Kachi Sensei, my friend and former colleague, and her 11 year old son agreed with me.
Takahiro has a certain child-like charm, with warm, friendly features and an adorable dimpled grin. With her long, slender neck and graceful limbs, she is an excellent dancer, and to be honest, I couldn't take my eyes off of her during Miyako Odori.
Kotoha, on the other hand, would never be described as child-like. Her features are striking. While Takahiro has "the (Japanese) girl next door" appeal, Kotoha is exotic. Even amongst other geisha, she stands out. Always perfectly poised, she looks noble, dignified, and refined. Her fey expression makes it seem as if she is above the concerns and cares of the ordinary, lost instead in the infinite beauty of the 'flower and willow world'.
As different as they are, the truth is that Takahiro and Kotoha are my favorite of all the Gion Kobu maiko. It's their differences that make them stand out, giving them a unique appeal. They are both beautiful, talented young women, and I look forward to seeing them turn their collar and blossom as full-fledge geiko. Ganbatte, girls! I'm cheering for you!
Notice Kotoha's feet. Perfect.
Takahiro adjust Kotoho's dangling darari obi.

"No matter what they say,
I love Gion.
Even in my sleep
The sound of water
Flows beneath my pillow."
Thursday, May 22, 2008
Higashiyama Hanami: Kiyomizu Bound
Sanju-no-to, the three story padgoda of Kyoto's Kiyomizu Temple, pierces a powder blue sky through a veil of cherry blossoms.
Just as the cherry blossoms began to reach their height in Higashiyama, the scenic eastern mountain distict nestled between the historic Gion district and growing waves of verdant hills climbing slowly to the sky, my friend Abbey, my brother and I were joined by the very lucky Londoner who ascended the Ena ALT throne, along with my favorite JLT (Japanese language teacher) and her adorable son for a bit of hanami and a brief Kyoto Cultural Heritage Tour a la me!
Since London P had never been to Kyoto, our first stop, after breaking the fast at Starbucks in Gion, was Kiyomizu-dera, the Temple of Pure Waters. I am a firm believer that it's not the destination, but the journey that matters. Half the fun is getting there! So instead of heading straight for the temple or hopping a bus, I led our little group through Yasaka Shrine to the Ishibei-kouji, or Stone Wall Lane.





The lane leads to Nene no Michi, near Kodaji Temple. This is where the ascent to Kiyomizu begins, along with the hanami.


As the main temple of the Hosso sect of Buddhism, it has been destroyed and rebuilt many times in its twelve centuries of history, most recently in 1633.
Kiyomizudera is said to have been constructed from 778 by Enchin, a buddhist priest, in honor of the Kannon Bosatsu (Bodhisattva of Mercy and Compassion).
According to the legend, Enchin received a vision that said he would find at the source of the Yodo river, a clear source of water. During his search Enchin came across a hermit named Gyoei. Gyoei, an old ascetic priest gave Enchin a piece of wood inhabited by the spirit of Kannon, the lord of compassion and goddess of mercy. Carving it into the likeness of the boddhisatva, Enchin enshired it in a small thatched roofed hut, the humble beginnings of the now impressive temple complex dominating the verdant Eastern hills of Kyoto.
The legend says that the hermit disappeared, and when Enchin later discovered his sandals on top of the mountain, he realized that he had actually been speaking with a manifestation of the Kannon.
A young foreign couple poses for wedding pictures beneath the cherry blossoms.
Hundreds of ancient-looking Jizo statues spring from the lush moss carpeting the slope. One of the most beloved of all Japanese divinities, Jizo intercedes to ease the suffering and shorten the sentence of those serving time in hell. In Japan, Jizo is popularly known as the guardian of unborn, aborted, miscarried, and stillborn babies, as well as patron saint of expectant mothers, children, firemen, travelers, and pilgrims.
Women in kimono snap photos of one another on their ketai (cell phones).
Looking up at the cherry blossoms surrounding the three story pagoda.

Nestled in the hills of Higashiyama, Kiyomizu's famous stage offers an excellent view of the city and surrounding green.
Enjoying the cherry-blossom-veiled view.
Visitors often rub icons of the Buddha or other religious figures for good luck or healing powers.
A young monk happily helps a boy get his taste of the Otowa no Taki, Feather Sound Waterfall, the three streams of which are said to promise love, longevity and wisdom. The visitor must choose one.


The pagoda peeks over heavy clouds of sakura, dripping with silken petals which flutter to the surface of the reflective pond, blanketing it like freshly fallen snow.




Sasuga Gion: さすが祇園!
Mamemchika strolls past the wooden facades of the machiya (traditional wooden townhouses) that line Gion's well-preserved lanes. It's always so exciting to see her again! She's become such a beautiful geiko. I know it's silly, but I can't help but feel a sort of affection for the girls I've seen blossom from maiko to geiko over the past four years, especially the ones I've had the pleasure of meeting.
After attending the opening day performance of Miyako Odori, we couldn't help but stumble over maiko and geiko on the way to their evening engagements as we strolled through Gion, no doubt en route to Starbucks. Sasuga Gion! (Just what you would expect from Gion).
The young maiko Momiju looked pretty in pink as she fluttered through Pontocho.
She's no maiko, but she looked beautiful in her long-sleeved furisode kimono! Kawaii!
Where there are maiko, their are photographers. (Mameteru)
Sunday, May 18, 2008
Miyako Odori Kimono and The Art of Gion
'Uniform' kimono worn by geiko and maiko in the opening prelude, autumn scene, and finale of Gion Kobu's annual spring dance: Miyako Odori.
Before the maiko and geiko of Gion Kobu grace the stage to perform Miyako Odori, the Dance of the Old Capital, overly-anxious guests like me try to curb their enthusiasm by browsing the exhibit of artwork done by the maiko and geiko themselves, including paintings, calligraphy, and flower arrangements. A few of the famous "uniform" kimono the dance is famous for are also on display, highlighting different designs and themes used over the years.

Oil painting of two geiko wearing the Miyako Odori 'uniform' kimono and hanakanzashi (flowered hair ornaments) by the geiko Suzuko.
Kimono design used in the fifth year of Heisei, 1993.
My personal favorite, worn in the fifty-third year of Showa, 1978.
This design must have been the height of kimono chic in Showa's fifty-nineth year, 1984.
I loved this simple silhouette which captures the mystique, innocent playfulness and youthful beauty of a maiko. I wish I knew who painted it!
Another lovely portrait, artist unknown.